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Ella Christie, a plucky Scottish anthropologist, shrugged off the constraints
of starched collars and cucumber sandwiches and in 1912 set of for Central
Asia breaking into the male dominated world of adventure travel writing.
Having braved a trip down the Oxus River in the last available space on
deck, she arrived dusty and dishevelled to Khiva. "Colonel Korniloff and I set off one morning in the Victoria, his best carriage, built in Kazan. His palace is not far from the Khans summer one Islam Hoja, a tall, fine looking man in silk robes, rose with great dignity, shook hands and placed me beside him on the garden seat, while tea in tumblers, with sweetmeats and fancy biscuits, were at once offered. I conversed by means of Fritz, who interpreted that the Khan wished to present me with a portrait of himself, and then Islam Hoja gave me one of himself. These I asked him to sign, which he did He also gave me an ancient Khivan gold coin and asked if I would like to see his rooms, as he evidently was very proud of their European furnishings. In the first saloon was a piano, which of course, no one could play."
Christie was mortified when, a few months later, she received a letter
from Natalie Korniloff, the Colonel's wife, recounting how Islam Hoja
had been brutally assassinated (see: Islam Hoja Complex).
"In the centre was a large stone basin of water on which floated tiny caiouques, or native boats, with baby oars; swings suspended from wooden bars with which to amuse themselves; benches and summer houses in which to rest, with flower beds of geraniums, petunias and roses to brighten the scene. But how inadequate to brighten the dull lives that are spent there, as the women are never allowed out except in a Khivan cart whose arched top is completely covered over with rugs." Christie bid a sad farewell to Khiva and to Colonel Korniloff, little
expecting that the kindly couple would be murdered by Bolsheviks just
a few years later. "Away from his mutton Pillaus, he looked half starved and home sick, and with joy mentioned that he was returning the following week. Truly, fine feathers make fine birds, his rich Khalats and caracul cap having been discarded in favour of what he doubtless thought was a fashionable attire, but with them he lost the semblance of his dignity that had been such a pronounced feature in his progress through Khiva." Ella Christies book: Through Khiva to Golden Samarkand was finally published in 1925, having been stalled by the advent of the First World War. | ||
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